等待方舟

• HD人工中字

  哥斯拉-1.0

  神木隆之介,滨边美波,山田裕贵,青木崇高,吉冈秀隆,安藤樱,佐佐木藏之介

• HD

  邻人X奇怪的她

  上野树里,林遣都,黄姵嘉,野村周平,川濑阳太,岛田久作,原日出子,笨蛋节奏,酒向芳

• HD

  嗨翻时空

  芙蕾雅·廷利,查尔斯·格朗斯,Joshua,Morton

• HD

  吞天巨鲨

  陈外,程爽,成止微,秦宇

• HD中字

  电子云层下

  梅拉布·尼尼泽,丘尔潘·哈马托娃,拉米尔·萨尔霍乌德诺夫,卡里姆·帕卡什科夫,

• HD

  伏魔录

  崔冬辰,金宁,徐少强,黄一山,高广泽,赵智妍,贾晓龙,杨竣茗,张鑫,杜约帝

• HD

  K星异客

  凯文·史派西,杰夫·布里吉斯,玛丽·麦克科马克,阿尔法·伍达德

• HD中字

  别闯阴阳界

  基弗·萨瑟兰,朱莉娅·罗伯茨,凯文·贝肯,威廉·鲍德温,奥利弗·普莱特,金伯利·斯科特,乔舒亚·鲁杜瓦,Benjamin,Mouton,埃里克·伊根,Kesha,Reed,霍普·戴维斯,吉姆·奥特莱比,John,Duda,Megan,Stewart,特蕾莎·托马斯

• HD

  全境灾变

  伊芙·詹姆斯,Eve,James,坎农·史密斯,Kannon,Smith,莱琳·麦克,Lelyn,Mac,Juniper,Preacher,Gu,Sewen,Derek,Sneddon,Virginia,Fivas,Leslie,Magneson,Ldmaw,Jay,Price,Alex,McCormick,Shelton,Adamson,Thomas,Heertz,艾米·麦克爱丽丝特尔,易卜拉欣·伊西克塔斯

• HD

  地心历险记2：神秘岛

  道恩·强森,乔什·哈切森,迈克尔·凯恩,凡妮莎·哈金斯,克里斯汀·戴维斯,路易斯·古兹曼

• HD中字

  吾乃母亲

  罗丝·伯恩,克拉拉·卢嘉,塔莉亚·斯图尔扎克,希拉里·斯万克,卢克·霍克,马迪·莱顿,沙漠·莱顿,哈兹尔·桑德里,雅各布·诺兰,约翰尼·卡森,乌比·戈德堡,史蒂夫·马丁

• HD中字

  心灵融合

  Leonard,Nimoy,William,Shatner,Billy,West

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问：科幻片《等待方舟》在什么时候上映？ 答：这部科幻片是在1985年上映的。
问：科幻片《等待方舟》总共有多少集数呢，有完整版的没？ 答：现在HD，有完整版的。
问：这部科幻片什么时候更新？ 答：跟随官方视频时时更新，是一部不错的科幻片值得去观看。
问：科幻片《等待方舟》在哪个平台观看？ 答：樱花动漫网为你提供《等待方舟》，免费在线观看。播放线路有蓝光、高清、720p等多条播放线路为用户可手动切换，播放时不卡顿，剧情简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.樱花动漫网是一个最全最新、无弹窗、加载快、蓝光高清免费在线观看科幻片的网站，第一时间快速更新上线,给您更好的视频观看体验，看科幻片就上樱花动漫网吧！
科幻片等待方舟剧集简介以及在线观看地址是: http://www.yinghuaclub.com/movie/79486.html，喜欢本文和视频的朋友可以转发给朋友一起观看哦！ Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it. 详情